Showing posts with label Huxley. Show all posts
Showing posts with label Huxley. Show all posts

Thursday, December 6, 2012

Writers in the Lonely Hearts Club



Remember that time when Edgar Allen Poe, Aldous Huxley, Dylan Thomas, Terry Southern, William S. Burroughs, H.G. Wells, Oscar Wilde, Stephen Crane, George Bernard Shaw, Lewis Carroll and T.E. Lawrence all got to together with a few friends and held a giant photoshoot?

Yeah, well, the project that gave birth to that motley gathering kicked off forty six years ago today. Above is the shot that finally landed on  the Beatles’ Sgt. Pepper’s album cover. Can you find the writers named above? No? Me neither. (I could only find five without the help of a key.)  But see below for all the writerly call-outs:


Thursday, November 29, 2012

What they were reading: Isak Dinesen



“My own books I packed up in cases and sat on them, or dined on them. Books in a colony play a different part in your existence from what they do in Europe; there is  a whole side of your life which there they alone take charge of; and on this account, according to their quality, you feel more grateful to them, or more indignant with them, than you will ever do in civilized countries. 
“The fictitious characters in the books run beside your horse on the farm, and walk about in the maizefields. On their own, like intelligent soldiers, they find at once the quarters that suit them. On the morning after I had been reading “Crome Yellow” at night,-and I had never heard of the author’s name, but had picked up the book in a Nairobi bookshop, and was as pleased as if I had discovered a new green island in the sea,- as I was riding through a valley of the Game Reserve, a little duiker jumped up, and at once turned himself into a stag for Sir Hercules with his wife and his pack of thirty black and fawn-coloured pugs. All Walter Scott’s characters were at home in the country and might be met anywhere; so were Odysseus and his men, and strangley enough many figures from Racine. Peter Schlemihl had walked over the hills in seven-league boots, Clown Agheb the honey-bee lived in my garden by the river.”
-Isak Denisen, from  Out of Africa
I was able to piece together most of the books she mentions, but I’m drawing a complete blank on Clown Agheb the honey-bee. No clue what great work of literature that one is supposed to call up. Any ideas?





Tuesday, May 8, 2012

Casting Call Round 3

Time for another author look-alike post. Previous entries can be found here and here. Let’s get to it.

Though he's cast in shadow here, there’s something in the laugh lines, angled eyebrows and prominent cheekbones of Aldous Huxley, that reminds me an awful lot of a young Frank Sinatra.



Here’s Ivan Doig and the old man from Home Alone (Roberts Blossom). Give either one of these guys a snowshovel,  galoshes and a garbage can full of salt, and it would scare the crap out of me.


I’ll admit this one’s not an exact likeness, but work with me here: focus first on the lips…

…and then on the concerned-eyebrow face, and try to tell me there’s no resemblance between Jonathan Franzen and Rick Moranis:




And while we're on the subject of crazy eyebrows and exact likenesses, did anyone ever see Robert Frost and Andy Rooney in the same room together? Ever?



Finally, some might say Nathaniel Branden is the “heir” to Ayn Rand. Others will argue for Alan Greenspan. Me? Steve Buscemi all the way:

Got any of your own? Add them in the forum, here.

Tuesday, May 1, 2012

Imitation is the sincerest form of plagiarism



In case you hadn’t noticed, the publishing world is ga-ga over E.L. James’s Fifty Shades of Grey, a book that was born as an erotica fan-fiction derivative of Stephanie Meyer’s Twilight series.

Take a moment to soak up that sentence, by the way, because it’s likely the last time we’ll touch on either of those series in this space. But it should work wonders on the search engines, and it does give us a timely segue into the juicy topic of plagiarism. Yes, that’s right- not even the high-brow world of classic literature is immune to charges of literary larceny. Consider the following:

Aldous Huxley’s Brave New World is said to have ripped off two 1920s sci-fi novels (The City of the Sun & The Honeymoon Trip of Mr. Hamilton) by Polish author Mieczyslaw Smolarski. I don’t speak Polish, but in the Slavic language I do  speak, “smola” means bad luck. Based on the relative fame and success of mssrs Huxley and Smolarski, I’d say the Polish author was appropriately named.

Oscar Wilde privately admitted to lifting from J.K. Huysman’s A Rebours, telling fellow author Max Beerbohm “Of course I plagiarize. It’s the privilege of the appreciative man.” That’s a bit like telling someone “Of course I stole your shirt. I liked it very much. You’re a man of fine taste, sir.”

Wallace Stegner found himself embroiled in a plagiarism scandal when his Pulitzer Prize-winning novel Angle of Repose  was criticized by descendents of Mary Hallock Foote, a woman whose letters and memoirs inspired the novel and were mixed with Stegner’s original narrative to create it. In this case, I think I stand with Stegner, since he’s operating in a bit of a grey area. For one thing, he was working with one of Foote’s descendents, who gave him permission to do what he did. For another, he offered to let her read the full manuscript, which she refused. Now, were some of the excerpts a little longer than he originally promised? Sure. But they’re also the weakest part of the book, as I’ve observed here.

Here’s one final example, brought to our attention by Readthe100. It’s one I’ll pass on to you without judgment. (In other words, I’d love to hear what you, the readers, think about it):

Did T.S. Eliot bogart “The Wasteland” from, well… “The Wasteland?”


Monday, January 23, 2012

Literary Death Match: Brave New World vs. Nineteen Eighty-Four



Welcome to Literary Death Match where two books engage in a fight to the death for the title of Best Book in a category arbitrarily decided by us. Up for grabs today is the title of “Best Book set in a Dystopian Future London.” And our contestants are Huxley’s Brave New World and Orwell’s Nineteen Eighty-Four. Google will tell you this isn’t the first time these two have squared off together, but it’s certainly bound to be the bloodiest. Without further ado, let’s send it over to Mike Thackery and Tom Galbraith, who will be calling the match from Shelf Actualization Stadium.