Showing posts with label J.D. Salinger. Show all posts
Showing posts with label J.D. Salinger. Show all posts

Thursday, June 27, 2013

"People will come, Ray."

I am not a big baseball guy. And I don’t usually go in for magical realism. But… BUT—rarely a summer goes by that I don’t sit down and watch “Field of Dreams.”  It’s one of the few movies that can still make me cry like a little girl.

Now, you may know that the film is based on a book called Shoeless Joe , by W.P. Kinsella. And if you know that, then you probably know (or can guess) that the character of Terrance Mann was originally written as real-life recluse J.D. Salinger. But what you may not  know, is that we have none other than Salinger himself to thank for James Earl Jones’s memorable portrayal of Terrance Mann.  The producers were so worried about a lawsuit from Salinger, that they renamed the character and changed up his race. I, for one, don’t think you can argue with the results:





Friday, June 21, 2013

Feature Film Friday: Salinger

This isn’t technically a feature film, but it’s the trailer for one. And it looks amazing. Can’t wait:


Tuesday, April 16, 2013

Book trends


So, what are we looking at here? No, it’s not a heart-beat—or maybe it is, in a way, come to think of it. What we’re looking at is the Google search trend for the phrase “The Great Gatsby.” This doesn’t reflect the raw number of searches, but rather a relative scale where 100 represents peak search activity and everything else is relative to that peak. I’m amazed, looking at this chart, that it’s so perfectly seasonal: low-points in June, July and August, and high points in March, April, May. Summer vacation and end-of-year exams, obviously.

I imagine any book regularly taught in highschools will follow the same kind of cyclical pattern. Here’s “Catcher in the Rye:”



Here’s “Romeo and Juliet:”

And here’s “Huckleberry Finn:”


What is the take-away from all of this? Well, some books are taught earlier in the year than others, based on their peak months, and we seem to be teaching less of them than we used to. And most importantly, if you want a big spike for your book you basically have two choices:  sell the rights to Hollywood (Gatsby), or die (Salinger).



Sunday, February 5, 2012

In Defense of the Books You Hate: Catcher in the Rye


Tucker got me thinking about Catcher in the Rye the other day, and I left a comment voicing one of my pet peeves.

I can’t stand it when people hate things just because they become popular. I mean, I get it. We all like to be in on the ground floor. We all like to be curators of our own little pop culture universe. But if you ask me, there are few things stupider than yelling “sell-out” just because someone you don’t like happens to like something you liked first. A good indie rock band can be absolutely ruined for some folks, for no other reason than that their songs finally get airtime on mainstream radio stations. What a joke.

I’ve read enough crap commentary about Catcher in the Rye to know that it’s one of those books that people just love to hate. It’s a simple-minded creation. Holden’s a self-centered, whiny little pipsqueak. Nothing really happens in the story. Why are we celebrating this dope? But when it comes right down to it, where’s all this vitriol coming from?

My guess it’s one of those books most people love as a teenager, but one which you’re supposed to “out-grow” once you get a little life-experience under your belt. I just don’t get it. Nobody’s saying it’s got to be your favorite book, but let’s recognize it for what it is. It gives us one of the most memorable narrator’s voices of all time. In fact, on that score, I’d rank it in slot number one. It’s a book that continues to resonate with generation after generation, despite an avalanche of arrogant dismissals by the well-read masses. -And I’m no died-in-the-wool, angst-ridden teen- I say all this as someone who didn’t pick the book up until my thirties.

Here are just two passages that caused me no small embarrassment when they produced involuntary, audible guffaws on-board a packed airplane:


I got bored sitting on that washbowl after a while, so I backed up a few feet and started doing this tap dance, just for the hell of it. I was just amusing myself. I can’t really tap-dance or anything, but it was a stone floor in the can, and it was good for tap-dancing. I started imitating one of those guys in the movies. In one of those musicals. I hate the movies like poison, but I get a bang out of imitating them. Old Stradlater watched me in the mirror while he was shaving. All I need’s an audience. I’m an exhibitionist. “I’m the goddam Governor’s son,” I said. I was knocking myself out. Tap-dancing all over the place. “He doesn’t want me to be a tap-dancer. He wants me to go to Oxford. But it’s in my goddam blood, tap-dancing.” Old Stradlater laughed. He didn’t have too bad a sense of humor. “It’s the opening night of the Ziegfield Follies.” I was getting out of breath. I have hardly any wind at all. “The leading man can’t go on. He’s drunk as a bastard. So who do they get to take his place? Me, that’s who. The little old goddam Governor’s son.”

“All of a sudden- for no good reason, really, except that I was sort of in the mood for horsing around- I felt like jumping off the washbowl and getting old Stradlater in a half nelson. That’s a wrestling hold, in case you don’t know, where you get the other guy around the neck and choke him to death, if you feel like it. I landed on him like a goddam panther.”
Now, you may not have relied on such random feats of stupidity for laughs when you were young, but it sounds an awful lot like a million moments of boredom I passed with my highschool friends.  And just because I haven’t pulled a half nelson on anyone in the last twenty years doesn’t mean it doesn’t ring true. It’s a veritable work of genius, and if I had written it, I’d probably be just as likely as Salinger to hole up in New Hampshire for the rest of my life for fear of never producing its equal. It’s that good. Run, don’t walk…


Sunday, November 27, 2011

Another Salinger Sunday


Last week I mentioned some of J.D. Salinger's stories in passing. If you want to go a lot deeper, LitKicks is running an entire series (with original artwork) on Salinger's fictional Glass family and the stories through which the reclusive writer brought them to life for his readers. Highly recommended weekend reading material. Check it out.


Sunday, November 20, 2011

Salinger sighting

I spent a good chunk of yesterday afternoon waiting for my four-year-old daughter in the lobby of a dance studio. While a gaggle of waiting-room regulars (all moms, except for me) chatted away about the upcoming recital and I entered a self-imposed smart-phone exile, I noticed I wasn't the only male in the room after all.

Huddled in the corner was a kid of about fifteen, who was engrossed in a book I couldn't quite make out. Curious about what it is that fifteen-year-olds read while waiting in suburban Georgia dance studios, I found some reason to get up and wander over for a closer look. The book was Nine Stories, by J.D. Salinger. 





This is a collection that includes two of my all-time favorite short stories: "A Perfect Day for Bananafish" and "For Esme- with Love and Squalor." Needless to say, my faith in humanity was bolstered.

If you're a book voyeur like me, you might enjoy this tumblr blog run by a group of self-proclaimed publishing nerds who steal surreptitious glances at the reading material of their fellow New Yorkers, and document the results here.

What about you? What books have you seen in the hands of your fellow men recently? Anything good?