Showing posts with label Jennifer Egan. Show all posts
Showing posts with label Jennifer Egan. Show all posts

Thursday, September 6, 2012

It's all been done before... even the experimental stuff



Having spent some time in art museums lately, the subject of originality has been on my mind.

In literature, as in the visual arts, one can probably make a good case that no matter what an author sets out to do, it’s all been done before. Plots, themes, devices, styles, character types- they all get recycled and repackaged- all the time. Now, this doesn’t mean that a work of literature can’t still reach us on some level if it happens to repurpose the age-old hero’s journey, or retell an old Greek myth, or follow every trope in a given genre. After all, we still listen to music and go see movies even though there are no new chord progressions and no new ideas in Hollywood.

But what if a writer wants to be an innovator and a visionary and a literary trailblazer? What is that author to do? Well, a few authors I’ve read this year spring to mind as examples.

I was bowled over, for instance, after plowing through 75 straight pages of powerpoint slides in Jennifer Egan’s A Visit From the Goon Squad  and realizing at the end of it that she had managed to form a pretty cohesive narrative that both moved the plot forward and revealed the innermost thoughts of one of the characters. Then in May of this year Egan serialized a short story on Twitter and it was… just okay. More than anything it struck me as a “gimmicky” publicity ploy.

Dana Spiotta’s novel Stone Arabia  is another book I read this year that aspires to innovate and break new ground. She employs a “collage” style that incorporates interviews, transcripts of YouTube videos, emails and other things into her regular narrative. I’ll admit that it worked for me, and it’s not something you see every day. But for all the praise these techniques inspire as 'experimental next steps in storytelling,' the problem with efforts like these is that- you guessed it, it’s all been done before.

Jump back 80 years and John Dos Passos was basically doing the same thing in the early ‘30s. His U.S.A  trilogy is peppered with newspaper clippings, song lyrics and biographies, intermingled with passages of his own stream of consciousness writings.

Jump back another 80 years and you’ve got Herman Melville spicing up his first-person narrative in Moby Dick  with historical treatises, zoology primers and all sorts of Shakespearean literary devices: soliloquies, asides and even stage directions.

I imagine that if you jump back another 80 years or more, you’ll find someone else doing something “new and innovative” in their day, as well. 

Tuesday, April 17, 2012

From the Pen of Jennifer Egan



As a follow-up to yesterday’s review I thought I’d give you a taste of Jennifer Egan’s style. One of the things that struck me about Goon Squad  was her ability to be colorful without being florid. Her descriptions are filled with everyday language that still manages to paint a vivid picture. Here are just a few passages that hit me where it counts (as usual, all emphasis is mine):
They sink onto the sand, still faintly warm, radiating a lunar glow.

The palm trees make a slapping, rainy sound, but the air is dry.
 
Sasha gathered up her ubiquitous black bag, a shapeless wishing well from which she'd managed to wrest whatever file or number or slip of paper he'd needed for the past twelve years.

The sun rose, big and shiny and round, like an angel lifting her head. I’d never seen it so brilliant out there. Silver poured over the water.  

The blinds of his loft were up and a tinge of shower humidity hung in the air, pleasantly cut by the smell of brewing coffee.

Bosco brought Stephanie coffee and then began a juddering emersion into his chair, which suctioned around him in a gelatinous grip.

An unsuccessful hip replacement had left him with the lurching, belly-hoisting walk of a refrigerator on a hand truck.

 Kitty came toward him slowly- poured toward him, really, that was how smoothly she moved in her sage green dress, as if the jerking awkwardness of walking were something she’d never experienced.

That is some good stuff. It seems there’s a certain magic in backloading your sentences- sticking the most memorable phrases and descriptions on the tail end for maximum impact.


Monday, April 16, 2012

A Visit From the Goon Squad: Believe the hype



Alright. I had my doubts, it’s true.

I had a hard time believing that I would enjoy A Visit from the Goon Squad  half as much as book bloggers, reviewers and members of the Pulitzer Prize Board seemed to think I should. In fact, I was ready to cry foul after the first couple pages, where I encountered parentheses in nearly every paragraph, suspiciously effeminate descriptors like “silvery” and “spiky-haired” and gag-inducing phrases like, “not a bangle jangled.” Blast them all, I thought to myself, I’ve been lured straight into a chick-lit booby trap.

I couldn’t have been more wrong. Turns out Egan was just playing with characterization- something she does extremely well. The first chapter introduces us to a kleptomaniac record-producer’s assistant, but from there the book branches out and explores the world of her boss and his broken family, her boss’s mentor and his even brokener family, as well as the friendships and falling-outs that shaped the lives of each of the main characters from the beginning.

It’s a collection of interconnected tales that unfold in New York, San Francisco and Los Angeles, with some Italian ghettos and African Bush thrown in for good measure. Each of the stories could easily stand on its own, but together they read like a rangy, meandering novel that explores a number of different viewpoints, characters and timeframes along the way.

Egan does an incredible job of immersing us in the lives of her characters and making their every interaction an exciting new piece of the puzzle. And even when I had my guard up for gimmicks, she seemed to pull them off effortlessly. A chapter written in second person? Recipe for disaster. Yet there we are, drowning in the East River as a doped-up, college-aged, closeted homosexual. Seventy-five straight pages of Powerpoint slides? Again, I was ready for the worst. But Egan crafts a believable narrative out of the dribs and drabs of a teenaged girl’s unorthodox diary.

The last chapter may be the most unconventional of all, but I won’t say any more, for fear of spoiling the read for others. (Still, if anyone knows where I can get a Scotty Haussman Concert T-shirt, I’d certainly like to hear from you.) But do yourself a favor and check out A Visit from the Goon Squad.