From Silver Screen to Printed Page

Often, when the subject of film adaptations comes up, we hear the familiar refrain “Yeah, but the book was better.” But what do we say when the reverse is true- when a book began life as a movie or a screenplay? Here are three such books that are well worth your time.

The Human Comedy, by William Saroyan:

Hired by MGM to write the screenplay for this project, Saroyan was eventually removed after refusing to compromise on the length. While Louis B. Mayer pushed forward on the film version, Saroyan raced to publish his longer version first, as a novel. It’s a short, breezy read… for a book, if not for a screenplay.

Dances With Wolves, by Michael Blake:

Kevin Costner fell in love with this spec-script sometime in the mid-eighties, but Blake had a hard time selling it to anyone. Costner encouraged him to turn it into a novel, with the hopes that it would improve his chances at a sale. Released as a paperback in 1988, Costner finally bought the rights himself. The rest is history. The film won seven Academy Awards, including Best Picture in 1990.

No Country For Old Men, by Cormack McCarthy:

Originally penned as a screenplay, McCarthy had little luck in selling this story to Hollywood. As an accomplished novelist, he didn’t need Kevin Costner to tell him to turn it into a novel, which he did in 2005. Enter the Coen brothers, who faithfully adapted the book back into a screenplay in 2007. Four Academy Awards, including Best Picture, were the result.

It’s an interesting subject. I know Douglas Adams’s The Hitchhiker’s Guide to the Galaxy started life as a radio play. (The Infinite Improbablility Drive was Adams’s ingenious way of extending a story he thought was already over.) Certainly in the cases of Dances With Wolves and No Country For Old Men, I think it’s probably safe to say that “the movie was better than the book.” Anyone know of any others?

From the Pen of Jennifer Egan

As a follow-up to yesterday’s review I thought I’d give you a taste of Jennifer Egan’s style. One of the things that struck me about Goon Squad  was her ability to be colorful without being florid. Her descriptions are filled with everyday language that still manages to paint a vivid picture. Here are just a few passages that hit me where it counts (as usual, all emphasis is mine):

They sink onto the sand, still faintly warm, radiating a lunar glow.

The palm trees make a slapping, rainy sound, but the air is dry.
 

Sasha gathered up her ubiquitous black bag, a shapeless wishing well from which she'd managed to wrest whatever file or number or slip of paper he'd needed for the past twelve years.

The sun rose, big and shiny and round, like an angel lifting her head. I’d never seen it so brilliant out there. Silver poured over the water.  

The blinds of his loft were up and a tinge of shower humidity hung in the air, pleasantly cut by the smell of brewing coffee.

Bosco brought Stephanie coffee and then began a juddering emersion into his chair, which suctioned around him in a gelatinous grip.

An unsuccessful hip replacement had left him with the lurching, belly-hoisting walk of a refrigerator on a hand truck.

 Kitty came toward him slowly- poured toward him, really, that was how smoothly she moved in her sage green dress, as if the jerking awkwardness of walking were something she’d never experienced.

That is some good stuff. It seems there’s a certain magic in backloading your sentences- sticking the most memorable phrases and descriptions on the tail end for maximum impact.

A Visit From the Goon Squad: Believe the hype

Alright. I had my doubts, it’s true.

I had a hard time believing that I would enjoy A Visit from the Goon Squad  half as much as book bloggers, reviewers and members of the Pulitzer Prize Board seemed to think I should. In fact, I was ready to cry foul after the first couple pages, where I encountered parentheses in nearly every paragraph, suspiciously effeminate descriptors like “silvery” and “spiky-haired” and gag-inducing phrases like, “not a bangle jangled.” Blast them all, I thought to myself, I’ve been lured straight into a chick-lit booby trap.

I couldn’t have been more wrong. Turns out Egan was just playing with characterization- something she does extremely well. The first chapter introduces us to a kleptomaniac record-producer’s assistant, but from there the book branches out and explores the world of her boss and his broken family, her boss’s mentor and his even brokener family, as well as the friendships and falling-outs that shaped the lives of each of the main characters from the beginning.

It’s a collection of interconnected tales that unfold in New York, San Francisco and Los Angeles, with some Italian ghettos and African Bush thrown in for good measure. Each of the stories could easily stand on its own, but together they read like a rangy, meandering novel that explores a number of different viewpoints, characters and timeframes along the way.

Egan does an incredible job of immersing us in the lives of her characters and making their every interaction an exciting new piece of the puzzle. And even when I had my guard up for gimmicks, she seemed to pull them off effortlessly. A chapter written in second person? Recipe for disaster. Yet there we are, drowning in the East River as a doped-up, college-aged, closeted homosexual. Seventy-five straight pages of Powerpoint slides? Again, I was ready for the worst. But Egan crafts a believable narrative out of the dribs and drabs of a teenaged girl’s unorthodox diary.

The last chapter may be the most unconventional of all, but I won’t say any more, for fear of spoiling the read for others. (Still, if anyone knows where I can get a Scotty Haussman Concert T-shirt, I’d certainly like to hear from you.) But do yourself a favor and check out A Visit from the Goon Squad.

Fall asleep with a good book (or a couple thousand)

Well, the days are getting longer and before we know it summer will be upon us. It’s not too early to start planning your next foray into the wilderness.  100BestBooks pointed us to this tent available at Field Candy:

That’s pretty cool. Of course, the slightly more ambitious, slightly less water-proof option is to build your own book igloo. It’s a bit heavier to pack in and a little more labor intensive to set up, but we think you'll agree that it's infinitely cooler, if you can pull it off:

A Big Fish, Wrapped in a Small Book, Inside a Short Video: Part II

As is often the case, one good thing usually leads us to another. Last weekend we shared a short video retelling Hemingway’s The Old Man and the Sea in a series of stop-motion hand drawings.

Now we’ve discovered the amazing animated short below. Created over the course of two years by artist Alexandr Petrov, this paint-on-glass animation netted Petrov the Oscar for Best Animated Short in 1999. The original film runs about 20 minutes, but this 8-minute version still captures the major plot points of The Old Man and the Sea. And it’s gorgeous to look at:

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First Line Friday!

This week's first line comes from a novel that finds itself in my list of the ten greatest novels I've ever read. And from what I can tell, it's somewhat unknown. In the very least, I wouldn't consider it prominent. The line is from Ivan Doig's 1987 novel, Dancing At The Rascal Fair (which is a title that I dislike, but the novel is very good). Here is the first line:

"To say the truth, it was not how I expected - stepping off toward America past a drowned horse."

Has anyone out there ever read Ivan Doig, or more specifically, Dancing at the Rascal Fair? I've encountered very few who have. If you haven't, please do so.

From the Pen of E.M. Forster

I was just getting ready to type up a short review of E.M. Forster’s A Room With a View, when I stumbled upon these excerpts I had highlighted during my read. I love how Forster gives life to inanimate objects (his face “sprang into tenderness” or “battalions of black pines witnessed the change”) and just as easily turns human characters into inanimate works of art (“She saw him once again at Rome, on the ceiling of the Sistine Chapel…”).

But I think my favorite passage is the third one below. It also happens to be the central plot point of the book. The image of violets running like liquid color is something that has stayed with me since I finished the book last fall. It’s beautiful stuff. All emphasis below is mine- they’re just the lines that knocked me senseless.

She watched the singular creature pace up and down the chapel. For a young man his face was rugged, and--until the shadows fell upon it--hard. Enshadowed, it sprang into tenderness. She saw him once again at Rome, on the ceiling of the Sistine Chapel, carrying a burden of acorns. Healthy and muscular, he yet gave her the feeling of greyness, of tragedy that might only find solution in the night. The feeling soon passed; it was unlike her to have entertained anything so subtle. Born of silence and of unknown emotion, it passed when Mr. Emerson returned, and she could re-enter the world of rapid talk, which was alone familiar to her. 

She could not complete it, and looked out absently upon Italy in the wet. The whole life of the South was disorganized and the most graceful nation in Europe had turned into formless lumps of clothes. The street and the river were dirty yellow, the bridge was dirty gray, and the hills were dirty purple.

 Light and beauty enveloped her. She had fallen onto a little open terrace, which was covered with violets from end to end. From her feet the ground sloped sharply into view and violets ran down in rivulets and streams and cataracts, irrigating the hillside with blue, heading round the tree stems, collecting into pools in the hollows, covering the grass with spots of azure foam. But never again were they in such profusion. This terrace was the well-head, the primal source whence beauty gushed out to water the earth. Standing at its brink like a swimmer who prepares, was the “good man.” But he was not the good man she had expected, and he was alone. George had turned at the sound of her arrival. For a moment he contemplated her as one who had fallen out of heaven. He saw a radiant joy in her face. He saw the flowers beat against her dress in blue waves. The bushes above them closed. He stepped quickly forward and kissed her. 

In the Weald, autumn approached, breaking up the green monotony of summer, touching the parks with the gray-blue of mist, the beech trees with russet, the oak trees with gold. Up on the heights battalions of black pines witnessed the change, themselves unchangeable. Either country was spanned by a cloudless sky and in either arose the tinkle of church bells. 

Lucy’s Sabbath was generally of this amphibious nature. She kept it without hypocrisy in the morning, and broke it without reluctance in the afternoon.

Five Months Down!

Today we throw another month in the ol’ archive and celebrate our best traffic stats to date. Thanks to all of you who drop by sporadically, to the diehards who check in every day, and to those who take the time to comment and to link to us across the interwebs. Whatever your interest in this site, we love that you’re here. Come back soon, and come back often.

We’ve covered some great writers in the past 29 days, as you can see in the word cloud above. As usual, here are the ten strangest search terms that led people here, along with the links to whatever they found:

• Commercial Shipping   >>>>  Yep. We’ve covered that here.
• 1920s outdoor spigot   >>>>  We touched on this briefly, as well.
• Explosion of awesome   >>>>  This could really land you on any of our pages, but most likely this one in particular.
• African goose egg   >>>>  A throw-away line from this post.
• Highschool freshman English   >>>>  First Line Friday… diagrammed! (to the best of my lackluster ability)
• Ear stretcher girl   >>>>  We have no idea where this person ended up. Ear might take you here. Stretcher here. Girl? Who knows.
• Animal House Ending   >>>>  Ah, one of our inaugural posts, forever lost in the obscurity of our earliest days.
• Do Mothers Against Drunk Driving Sell Magazine Subscriptions   >>>>  Great question. I have no idea where we’ve answered it, though.
• John Blutarsky wearing shorts   >>>>   This post, again.
• Table graph of bullfights in Spain   >>>>  It has nothing to do with bull-fights (an oversight we regret), but there are graphs galore here.

And, of course, we’ll leave you with our five most popular posts from this past month:

• The Lit-Fic Starter Kit: Your Quickstart Guide to the Classics
• The Stunning Beauty of Books
• Midnight in Paris: How did Woody Do?
• Literary Death Match: Treasure Island vs. King Solomon’s Mines
• So you wanna be a writer? Paris Edition.

We’d like to make this site as great as our mothers think it is. Let us know how we’re doing in the comments. What do you like? What bores you to death? Things like that…

Poet's Corner

-Image courtesy of Fashion Abuse

Whereabouts

by Marcus Jackson, from Neighborhood Register. © Caravan Kerry Press, 2011.

—to Nicole

Finished early at the library,
          I strolled Canal Street to fill
          empty hours
before we'd meet home for dinner.

          Late-winter light sneered,
          reluctant to leave
the streets, bargain tables
          with t-shirts or imposter purses,
          jewelry coves
where gold necklaces refracted
          from squares of scarlet felt.

          All down Mulberry, arched
garlands of festival bulbs
          shined champagne.

          From Italian restaurant stoops,
waiters with handsome accents
          lured tourists by describing
          entrées like landscapes.

At Ferrara's dessert café,
          the wait bent
          halfway up the clogged block.
I whittled inside, browsed
          glass cabinets of cookies,
          yellow-shelled cannolis,
cakes displayed
on paper placemats
          that looked like lace.

I arrived 40 minutes late.
          You balanced, hand
          against bedroom door-jamb,
pulling off your office heels.

          Once you noticed the bakery box
          under my arm, your face calmed—
my earlier whereabouts
          evidenced in sweetness
          we would fork from the same plate.

This is a great little poem. I love how the first four stanzas start out slowly, just snapshots and observations from a lengthy stroll, and then in the final three stanzas we get a series of images that hone in on something very personal. Still, until those final few lines, you get the sense that the whole thing is centered on the narrator.

But the last stanza turns the aimless loafer into a romantic hero. It suddenly becomes a statement about a couple’s intimacy. And those last three lines are worth the price of admission alone:

“my earlier whereabouts

          evidenced in sweetness

          we would fork from the same plate”

Very good, no? Have you had your socks knocked off by a good poem lately? Share them in the comments.

The Lending Library at the End of the Earth

I’ve talked about my interactions with lending libraries here. But in today’s post, I thought we’d strike out a little farther afield. I’m talking about the lending library at the Amundsen-Scott Research Station at the South Pole.

As background, let me just say that I’m an unabashed blog voyeur (there’s probably a post of its own in that statement, but I’ll save that for another day.) I rarely, if ever, reach out to these internet authors on whom I drop in unannounced (the same way the vast majority of you will never leave a comment here), but every once in a while you come upon a question that tickles your curiosity- one that you’ll likely never get answered if you don’t just go ahead and ask it. So that’s what I did.

I wanted to learn something about the reading life for Winter-overs at the South Pole. How much people read, what kinds of things they read, whether any book-clubs or literary discussions pop up during those long, dark days at the station, etc. So I emailed the author of this blog to find out. Here's her very interesting reply:

"The winter-over reading life tends to be a personal one. We have a "library" with books filed by category and author, books are free to take or add at will. There's also an unorganized huge bookshelf in one of the lounges. That one tends to be paperbacks in the sci-fi/mystery dept, or bestsellers like Grisham and Dan Browns.

 "But in my two winters no organized reading groups. Largely I found that it was hard to maintain enough mental wherewithal to read books during the deep darkness of winter. There are rarely multiple copies of books and if we had to wait for all the interested winter-overs to finish a book before discussing it...well...it'd never happen. And it never does. Occasionally you run into someone who has read the same book as you and you talk about it. Or you pass on a good book to someone then talk about it, but rarely if never anything organized.

 "The collection of books is pretty much whatever has been donated, or brought down and then left behind over the years. There's a good collection of Antarctic history books, including a fair number of rare books, locked away. But the key is easy to get. You get the DaVinci Codes, the Oprah book clubs, and then some real oddities that show up. But usually a fair number of good ones. 

"I found reading to be really challenging in my winters. Maintaining the focus was hard. I reached a point where I couldn't even finish a movie on my laptop, and a 30 min TV show on DVD was often too much too. Just lost focus. If there had been The New Yorker magazine I think I could've finished articles about that long, but then again, maybe not. 

"A lot of people are starting to read on e-readers, which makes the lending and leaving behind of good books less likely. I wonder how that'll have an impact on books available in the library. 

"We also tend to stay away from challenging topics in the effort to make the winter easier to survive. And books, even fiction, can be controversial. You have to believe everyone is after your best interests and will work towards the station's survival if the shit hits the fan during the winter, and book discussions can make it pretty clear just how opposite people you have to live with are. Small community, best to just pretend sometimes."

Fascinating stuff, is it not? Here's an inside shot of the station, courtesy of the information superhighway: